Our client’s wanted a unique headboard for their master bedroom. Cheryl coordinated with Appalachian Hardwood to source a live edge slab for the project (photo A). Because of the extreme weight of the slab (over 300 pounds), custom brackets were needed to secure the headboard to the wall. Todd Miller, with Scream Hot Iron crafted the custom brackets and installed the headboard (photos B, C, D, and E). Bedding by Fino Lino and pillows by Surya complete the look(photo F).
This kitchen is as functional as it is pretty. The double islands make entertaining a breeze. Using one as a work island, the other is put to use serving food and drink to guests. The Kitchen opens directly into the family room, making sure everyone is included in the festivities. This kitchen boasts hidden features to make life easier. The doggy gates extend to keep Fido from under foot, but are tucked away nicely into niches when not in use. The TV is recessed into the second island and can be fully retracted when not in use.
Appalachian Woodwrights creates custom wood doors and millwork. From French Country to Mountain & Lake styles, from Traditional to Transitional style entry and interior doors, “AppWood”, designs and builds custom doors and millwork using traditional construction methods with an attention to detail that meets the expectations of the most discerning designers, homeowners and their builders. http://www.appwooddoors.com/
For this English library look we used Decorators Supply for the gothic inspired tracery designs on the ceiling. http://www.decoratorssupply.com/store/main.aspx
To blend the faux finished tracery detail with the walnut cabinetry, I decided to make the background lighter in color to allow the plaster detail to be more prominent.
By Ingrid D. Rowland originally posted in Architectural Lighting Nov/Dec 2014
Four hundred and fifty years ago, Michelangelo Buonarroti died at the age of 89, just after putting the finishing touches on two frescoes for the Pauline chapel in the Vatican, only a few doors away from another Vatican chapel where he had triumphed at the beginning of his career. Today, rather than celebrate the anniversary with an exhibition, the Vatican Museums , under director Antonio Paolucci, decided to honor the great artist in a different way: by installing new lighting and air conditioning systems for the Sistine Chapel , ensuring Michelangelo’s masterwork a long and healthy future.
After a massive campaign to clean and restore the Sistine frescoes that lasted from 1981 to 1994, Paolucci is adamant that the chapel should never undergo so drastic a treatment again. The paintings must be protected from future damage as aggressively as possible, which means minimizing exposure both to drastic changes of temperature and to pollutants. To bring about this novel celebration, the museums contacted the firms that had handled lighting and ventilation since the completion of the Sistine Chapel ceiling restoration in 1986: Osram and Carrier, respectively, who worked with the Vatican’s Department of Technical Services, under the guidance of Pier Carlo Cuscianna and Rafael García de la Serrana Villalobos with Roberto Mignucci, and in the Vatican Museums by the Conservator’s Office of Vittoria Cimino and the Diagnostic Library for Conservation and Restoration of Ulderico Santamaria with Fabio Morresi. Given the prestige of this assignment, these renovations have been presented to the Vatican (and to the world) as gifts.
The brilliant new colors of the Sistine Chapel and the continuing development of mass tourism in the years since the restoration began to present the Vatican Museums with a new challenge: what to do with the overwhelming number of visitors, each one a living source of carbon dioxide, moisture, and dust. Annual visitors before the 1980’s numbered about a million; immediately afterwards, that number had tripled. Today, more than six million people troop through the Sistine Chapel in any given year, sometimes at a rate of 20,000 in a single day. In addition, the chapel is where the College of Cardinals sits to elect a new pope, and has ever since the late 15th century. Paolucci does not see a constructive way to limit admission, so he resolved to concentrate his efforts as director on controlling the conditions within the chapel itself.